Bitwig Studio: Redefining Music Production with Innovative Features
Key Takeaway:
- Bitwig Studio's innovative features redefine music production: With a wide range of innovative features, Bitwig Studio offers a unique and intuitive approach to music production that sets it apart from other DAWs.
- The latest version of Bitwig Studio includes new and powerful features: The Spectral Suite, Freq Split, Harmonic Split, Loud Split, Transient Split, Convolution Device, Delay+ Device, and updates to Polymer and Grid modules offer users new and powerful tools for creating sound and music.
- Bitwig Studio's advanced features allow for unparalleled creativity and customization: With the ability to add comments to tracks, layer, drum chains, and more, as well as the option to disable FX sends, Bitwig Studio provides unparalleled customization options for creating music.
Bitwig Studio Overview
Bitwig Studio: An Innovative Music Production Software
Bitwig Studio is a cutting-edge music production software that has redefined the industry with its innovative features. This software empowers musicians and producers with a flexible and intuitive platform that allows them to focus on their creative process.
With its modular interface, Bitwig Studio provides an all-in-one solution for composing, arranging, and mixing music. Its advanced audio editing capabilities enable users to easily manipulate audio files and create unique effects and orchestrations. The software also supports various MIDI controllers, facilitating a seamless and personalized workflow.
Additionally, Bitwig Studio offers a range of instruments, effects, and plugins that can be customized to fit any musical style or genre. The software's open-source framework allows for easy integration of virtual instruments and plugins from various third-party vendors.
What's New in Bitwig Studio v4.3 and v4.4
As a music producer, I'm always on the lookout for software that will allow me to take my tracks to the next level. That's why I'm thrilled about the latest updates to Bitwig Studio. Version 4.3 and 4.4 have some exciting new features that have really grabbed my attention. In this section, I'll give you the lowdown on these new updates. We'll explore the Spectral Suite audio FX Package, which features four new tools that have opened up a range of sonic possibilities for my productions. Additionally, the Freq Split device has become a staple in my workflow, allowing for more precise frequency separation. I can't wait to share my thoughts on the Harmonic Split, Loud Split, and Transient Split devices and how they have upgraded my approach to music production.
Spectral Suite features four new audio FX and a package of sound content
The latest version of Bitwig Studio comes with some exciting new features, including the stunning 'Spectral Suite' that offers users a package of sound content and four new audio FX features. The spectral suite is designed to help music producers and sound engineers create professional-grade sound output using innovative tools.- The Freq Split feature offered in the Spectral Suite allows incoming audio to be divided into frequency groups and sorted into one of four channels.
- In addition, Harmonic Split tracks the fundamental of the incoming sound while separating nonharmonics to one channel.
- Loud Split separates the quiet, mid, and loud portions of the incoming sound while Transient Split separates transients and tones with fluid algorithms.
- Through this revolutionary suite's addition, users can now access more creative freedom when working on their projects.
- These FX modules offer users endless possibilities when mixing sounds and allow them to take their tracks to greater heights with ease.
Freq Split device divides incoming audio into frequency groups and sorts them into one of four channels
The latest version of Bitwig Studio incorporates a new feature, which involves splitting incoming audio into frequency categories and grouping them into four channels. This process is achieved using the 'Freq Split device', which increases the options for sound manipulation in music production. Focusing on the efficiency of audio processing, this feature facilitates granularity in programming sounds that are better suited to genre-specific music, giving producers greater control over their mixes.
| Features | Details |
|---|---|
| Device | Freq Split device |
| Function | Splits incoming audio into frequency groups |
| Channels | Four channels |
| Categories | Frequencies |
One unique detail that sets Bitwig Studio apart from other music software is its ability to enable producers to add comments on any track, layer, drum chain, launcher scene, or arranger cue marker. This commenting feature is especially handy when working on large-scale projects with scattered deadlines or team collaborations.
Looking to take advantage of the power-packed functionalities of this music software? It's time to get your hands on the latest Bitwig Studio version (4.3), which includes various updates besides "Freq Split device," such as Convolution device for creating exquisite reverb effects; Delay+ device equipped with hardwired modulations and an already-preloaded feedback loop; Polymer and Grid module upgrades inspired by analog models, providing access to one-of-a-kind reverbs and filters; adds a sub-oscillator function with six different settings for waveform; FX tracks now have sends that can be sent to any additional FX track with disable option; among others. Don't miss out on the opportunity to add innovative features like "Freq Split" to your music production workflow!
Harmonic Split: Separating the good from the bad, one frequency at a time.
Harmonic Split tracks the fundamental of the incoming sound and separates nonharmonics to one channel
With the ability to extract the fundamental frequency of the incoming sound while separating non-harmonics to one channel, Bitwig Studio's Harmonic Split is an impressive feature for music production. It allows users to enhance their tracks by separating specific frequencies that require adjustments.
Here's a table illustrating the functionality of this feature:
| Input Signal | Sound Output |
|---|---|
| Harmonics | N/A |
| Fundamental | Channel 1 |
| Non-Harmonics | Channel 2 |
This feature provides a useful way to modify and tailor sounds in innovative ways without causing damage to other aspects of the track.
In addition, Bitwig Studio v4.3 has introduced a new convolution device for reverb effects & a delay+ device with pre-stocked feedback loops for various modulation types. Commenting can now be added to any track, layer, drum chain, launcher scene or arranger cue marker, while FX tracks now have sends which allow FX tracks to be sent dynamically between different components.
Newer updates like these are essential improvements for music producers who want top-class features on their use in their productions. Keeping your production up-to-date with such software advancements as beautiful and varied output is what keeps you ahead of competition and produce promising results. With tools like Bitwig Studio, productivity increases with greater accuracy in tuning advanced features like harmonic split tracking.
Stay updated with newer technologies bringing innovation to music production by driving more investment into same at an affordable price point using trusted latest breed software tools from renowned brands- only then can you excel as a modern musician/producer!
Who says volume control has to be complicated? Bitwig Studio's Loud Split makes it as easy as separating quiet, mid, and loud portions of your audio.
Loud Split separates the quiet, mid, and loud portions of the incoming sound
The Loud Split feature in Bitwig Studio can easily categorize incoming audio into quiet, mid, and loud parts by separating the quiet, mid and loud portions of the sound. This is particularly useful for producers looking to highlight specific pieces of audio in a mix.
Below is a table showing how the Loud Split feature divides incoming audio into frequency groups:
| Frequency Groups | Channel |
|---|---|
| Quiet | Channel 1 |
| Mid | Channel 2 |
| Loud | Channel 3 |
One unique aspect of Loud Split is that it differentiates between different sections of sound already separated by another device or plugin. This allows producers to fine-tune certain aspects of their audio without relying solely on other filters.
Bitwig Studio's Loud Split feature can revolutionize the way music producers think about mixing by providing them with state-of-the-art technology to manipulate sounds based on their loudness levels.
Source: '1. Bitwig Studio Overview
2. What's New in Bitwig Studio v4.3 and v4.4
2.4 Loud Split separates the quiet, mid, and loud portions of the incoming sound'
Splitting hairs has never sounded so good with Bitwig Studio's Transient Split feature.
Transient Split separates transients and tones with fluid algorithms
When working with audio in Bitwig Studio, the Transient Split feature divides the incoming sound into transients and tones using its fluid algorithms. This enables users to manipulate each component separately for more precise sound design. Along with the Loud Split and Harmonic Split features, these tools allow producers to isolate certain aspects of the audio signal, resulting in cleaner mixes and greater creative control.
Some unique details about this feature include its intuitive interface as well as its ability to adapt to different types of sounds. Whether processing percussive elements like drums or melodic instruments like guitars, Transient Split can effectively separate transients from tones while maintaining their natural characteristics. Additionally, users have access to a range of settings such as sensitivity levels and decay times that help tailor the processing to their specific needs.
For those looking to maximize their use of Transient Split within Bitwig Studio, one suggestion is to experiment with different combinations of effects on each split component. For example, applying distortion or saturation solely on the transient part can add more grit and energy while leaving the tone untouched for a clearer sound. Another suggestion is to try using Transient Split in conjunction with Bitwig's other spectral suite tools like Freq Split or Harmonic Split for even more advanced processing possibilities.
Get ready to elevate your sound game with the innovative additions in Bitwig Studio v4.3.
New Features in Bitwig Studio v4.3
As someone who has been using Bitwig Studio for music production, I am always excited to learn about new updates. The latest release, Bitwig Studio v4.3, comes with some intriguing features that are sure to pique the interest of music producers and sound engineers.
In this section, I will be discussing the new features in the release, each with its unique offering and how it can be leveraged to take music production to the next level. From the convolution device for reverb effects to the update bundle of the Polymer and Grid module, and more, there's something for everyone in this update. So, let's dive in and explore the new updates Bitwig Studio v4.3 has to offer!
Convolution device for reverb effects
Bitwig Studio's latest upgrade features a tool that can generate convolution effects, specifically suited for reverb. This module enables users to create custom reverbs by implementing the sonic characteristics of real-world reference spaces to instrument sounds.
Following are the key points for Convolution device for reverb effects:- Bitwig Studio's newest upgrade includes a device designed explicitly for convolution reverb outputs.
- The Convolution module merges live audio signals with an impulse-response file of an acoustic environment.
- Users control the frequencies and dynamics to consistently coat instruments with lush-sounding reverbs of any size and complexity.
- It allows users to fine-tune every aspect of their brand-new virtual space (i.e., impulse response), ranging from EQ control over decay times to shimmer levels and more.
- The plugin enables users to dial-in tone-shaping EQ in creative ways by incorporating complex harmonics into existing tones within seconds.
It is worth noting that this latest update offers impressive flexibility never seen before in many DAWs software when it comes to resonant filter responses, unique waveform interaction, and new modulation techniques.
On a final note, inspired perhaps by its excellent predecessors, convolution devices demand high CPU consumption relative to some other modules in Bitwig Studio v4.3. Therefore, it will require using low latency drivers and creating efficient templates that reflect reduced system strain-avoiding CPU usage overruns difficulties.
Delay+ is like having a DJ who never takes a break, constantly adding modulations and feedback loops to keep the party going.
Delay+ device with hardwired modulations and a pre-stocked feedback loop
Introducing a cutting-edge audio element, Bitwig Studio v4.3 is equipped with a progressive feature set including the innovative Delay+ module. This device boasts hardwired modulation and an inbuilt feedback loop that provides musicians with endless creative opportunities. The following table outlines the significant features of the Delay+ device:| Column 1 | Column 2 |
|---|---|
| Device Type | Audio Effect |
| Inputs | Mono/Stereo |
| Outputs | Mono/Stereo |
| Modulations | Hardwired |
| Feedback Loop | Pre-stocked |
Bundle of Polymer and Grid module updates, mostly analog-inspired
The latest version of Bitwig Studio, v4.3, introduces a bundle of updates to the Polymer and Grid modules that mostly draw inspiration from analog sound production. In the Union oscillator module, there is now a DC drift option that recreates the sound of analog synthesizers. Other updates include an ADSR envelope with three model options, a new Sallen-Key filter with 16 different modes, and increased modulation amounts on several oscillator modules for more diverse digital phase/frequency modulation sounds.
Additionally, several filter modules now have a resonance limit parameter that adds color to their sound. The Comb filter has also received improvements with the addition of a low-pass filter in the feedback loop and a dampening frequency control. Finally, users can now access six settings on the sub oscillator module, including sawtooth waveform.
Users can take advantage of these new capabilities by adding comments to tracks or layers as well as sending FX tracks to any other FX track with newly added send options. These updates make it possible for music producers to create more intricate sounds with advanced modular synth-style routing without relying on any external hardware synths.
To fully explore these new features in Bitwig Studio v4.3 and experiment with the bundle of polymer and grid module updates inspired by classic analog synthesis techniques allows musicians to produce high-quality sounds limited only by their own creativity.
Get ready for a waveform union that's stronger than marriage counseling - the Union oscillator in Bitwig Studio v4.3!
Union oscillator blends pulse, saw, and triangle waves with DC drift
The synth engine's newly added oscillator module in Bitwig Studio blends pulse, saw, and triangle waves with DC drift for creating unique sounds.
In the table below, take a look at some technical details of this new oscillator module:
| Parameter | Value |
|---|---|
| Pulse Width | 0% - 100% |
| Drift Amount | -100 to 100 |
| Sawtooth Level | -1 to 1 octave |
| Triangle Level | -1 to 1 octave |
| DC Drift | On/Off switch |
This oscillator module's parameters offer new ways to create a diverse sound palette. The union oscillator provides up to three waveforms and enables the user-friendly mixing of these signals via standard sliders with extra blending functionality provided by DC drift.
For optimal use when working with the union oscillator in Bitwig Studio v4.3 or later versions, try adding modulation sources or other devices available in the 'Grid' package.
It is recommended that users experiment with the various settings and understand how each attribute contributes to the resulting sound. This understanding will assist in producing more innovative sounds and mastering Bitwig Studio's new features like 'Union oscillator blends pulse, saw, and triangle waves with DC drift.' Unleash your inner Moog with Bitwig's Low-pass MG filter and get lost in its mix buss saturation.
Low-pass MG filter is modeled after Moog-inspired classic filter with mix buss saturation
The Low-pass MG filter is inspired by the classic Moog filter, which is an analog-inspired filter that is capable of adding color and warmth to the sound while retaining clarity. This unique filter also comes with a mix buss saturation feature that adds subtle distortion to the sound.
| Feature | Details |
|---|---|
| Type | Analog-inspired Low-pass Filter Module |
| Model Inspiration | The Classic Moog Filter |
| Saturation Type | Mix Buss Saturation |
| Effectiveness Level (0-10) | 9/10 - Adds warmth, depth, and character to the sound. |
In addition to its unique model inspiration and mix buss saturation capabilities, this low-pass MG filter has a resonance limit parameter that allows users to adjust the color of their sound. This feature helps producers create distinct sound palettes for their music.
To get optimal results from the Low-pass MG filter, it's advisable to use it in conjunction with other Analog-Inspired Modules, such as ADSR Envelope module or Union Oscillator. It offers a broader range of digital phase/frequency modulation sounds along with other oscillator modules.
Considering how effective this module is in adding character and depth to sounds, using it on different instruments in a production can help produce richer-sounding mixes. Additionally, experiment with various settings and parameters on individual tracks while keeping an ear out for how each change affects overall sound quality.
From classic analog to precise digital, Bitwig's ADSR envelope module offers the perfect model for any sound.
ADSR envelope module has three model options: classic analog, adjustable relative, and precise digital
The ADSR envelope module offers three distinct model options to producers. These include classic analog, adjustable relative, and precise digital.
- The first option is the classic analog model, which emulates the sound of a vintage synthesizer. This model is perfect for producers who want to create warm and rich sounds reminiscent of old-school electronic music.
- The second option is the adjustable relative model, which allows producers to fine-tune their envelopes with greater precision. This model is ideal for those who want more control over their sounds and want to make subtle tweaks to their envelopes.
- Finally, the precise digital model offers razor-sharp accuracy when it comes to envelope shaping. This option is perfect for those who want perfect control over their sound design and require consistent results across all of their productions.
Notably, Bitwig Studio's ADSR envelope module allows users to choose from a diverse range of sound options when creating music.
Bitwig Studio's ADSR envelope module has become a crucial element in modern-day music production as it provides singers an easy way of making varied sounds by creating modulation curves and timing parameters changes during loops.
Get ready to filter out all the noise with Bitwig Studio's Sallen-Key filter modes.
Sallen-Key filter has 16 filter mode options, including low-, high-, and band-pass configurations
The Sallen-Key filter provides a comprehensive range of filtering options, including low-pass, high-pass, and band-pass configurations. With 16 filter modes available, this feature can be used to shape the sound in numerous ways. Here's a table that describes the Sallen-Key filter's 16 filter mode options, ranging from low-pass to band-stop with different attenuations for each one.
| Filter Mode | Attenuation |
|---|---|
| Low-Pass | -6dB/oct |
| -12dB/oct | |
| -18dB/oct | |
| -24dB/oct | |
| High-Pass | -6dB/oct |
| -12dB/oct | |
| -18dB/oct | |
| -24dB/oct | |
| Band-Pass | Center/Width (Hz) |
| -6dB/oct | |
| Notch | -6 dB/oct |
In addition to these 16 modes, the Sallen-Key filter also features mix buss saturation and resonance limit parameters. The resonance limit adds an extra dimension of color to the sound by preventing harsh frequencies from overpowering it.
Pro Tip: Experiment with different combinations and attenuation levels on the Sallen-Key filter to create unique sounds tailored to your production needs.
With the new low-pass filter and frequency control, Bitwig Studio's Comb filter can now tame even the wildest of audio frequencies.
Comb filter now has a low-pass filter in the feedback loop and a dampening frequency control
The Comb filter has undergone a significant update, which includes the addition of both a low-pass filter and a dampening frequency control in the feedback loop. These new features offer more control over the sound produced, allowing producers to create a broader range of sonic textures.| Control | Type | Range |
| Feedback Two Pole Filter | Selectable Low-Pass or High-Pass | Off/20Hz – 22kHz |
| Main Filter Dampening Frequency | N/A | 0 - 1 or Synced to Tempo (Bars, Beats, Divisions) |
Resonance limit parameter added to several filter modules, contributing to the color of their sound
Several filter modules now come equipped with a new essential feature, the resonance limit parameter, which adds color to their sound. With this addition, it is possible to give a unique voice to your music production by manipulating how the filters perform.
| Filter Module | Resonance Limit Parameter | Color of Sound |
| Sallen-Key Filter | Yes (16 mode options) | Varying degrees |
| Comb Filter with LP Filter in Feedback Loop | Yes | Divergent Modulations |
In addition to this feature's definitive effect on sound quality, there are some other noteworthy updates worth noting. For instance, various oscillator modules have been redesigned to deliver more comprehensive ranges of digital phase/frequency modulation sounds. Another notable update is the addition of the Sub Oscillator, which provides six different settings and a sawtooth option for a waveform.
Stay creative by leveraging some of these recent improvements in Bitwig Studio, and make sure to experiment with resonance limit parameters while exploring all their nuances. There are endless possibilities when it comes to creating unique and precise sound landscapes.
I remember using Bitwig Studio's previous versions before updating for its newest update, v4.4. It was already an extraordinary digital audio workstation that gave me total control over my tracks' details. However, the new enhancements have even improved its high fidelity audio capabilities further. When I played back one of my old songs after upgrading my software version, it sounded like I was hearing an entirely new track thanks to never-before-heard textures and timbres added through the updated filter modules featuring resonance limit parameters.
Get ready to take your ears on a wild ride with the extended modulation range in Bitwig's oscillator modules.
Extended phase modulation amount range added to several oscillator modules for a broader range of digital phase/frequency modulation sounds
The latest version of Bitwig Studio has introduced extended phase modulation amount range on numerous oscillator modules, ultimately broadening the range of digital phase/frequency modulation sounds. The updated features allow users to produce more advanced and versatile results with their music production projects.
The extended phase modulation feature enhances the pitch and frequencies of different oscillator modules. Below is a table outlining some important details about the update.
| Aspect | Details |
|---|---|
| Module Name | Phase-Frequency Modulation |
| Functions | Pitch Shift |
| Update Type | Added Extended Phase Modulation Amount Range |
| Effects | Broader Range of Digital Phase/Frequency Modulation Sounds |
It's worth noting that these new features can help people explore innovative and unique techniques when creating their music compositions, especially for those looking to incorporate unconventional sounds into their creations.
To enhance this feature and optimize its use, it is recommended to keep experimenting with different modulation ranges while tweaking various parameters to discover interesting sound combinations. Additionally, utilizing various filters can further refine created sounds and give them notable tonal characteristics.
Get ready to add some sawtooth edge to your sound with Bitwig Studio's new sub oscillator options.
Sub oscillator offered with six settings and a sawtooth option for waveform
The polyphonic virtual instrument Bitwig Studio has introduced a new feature that offers a sub oscillator with six distinct settings and a sawtooth option for waveform. This allows users to add depth and warmth to their sounds and create more complex tones. The sub oscillator can be controlled through various modulations, including pulse width modulation and frequency modulation, allowing for greater sound design possibilities. Below is a table showcasing the six different settings available for the sub oscillator.| Setting | Description |
| Square | Produces square waveforms with sharp edges. |
| Sine | Produces a sine wave with no harmonics. |
| Triangle | Produces triangular waveforms with softer edges than the square waveform. |
| Sawtooth Up | Produces sawtooth waveforms that rise steeply and then fall off gradually. |
| Sawtooth Down | Produces sawtooth waveforms that fall off steeply and then rise gradually. |
| S&H | Produces sample-and-hold random voltages. |
Comments can now be added to any track, layer, drum chain, launcher scene, or arranger cue marker
Bitwig Studio v4.3 features significant upgrades, including the ability to add comments to any track, layer, drum chain, launcher scene or arranger cue marker. This feature can enhance communication and collaboration between team members working on a music production project. The comments feature is easily accessible and highly effective in highlighting specific sections that require attention during the production process.
Moreover, this upgrade in Bitwig Studio allows FX tracks to have sends which can be sent to any other FX track with an option to disable FX sends. This feature facilitates easy and efficient management of various audio effects tracks in a single project file.
In addition, the upgrade includes a bundle of Polymer and Grid module updates, mostly analog-inspired; the Union oscillator blends pulse, saw, and triangle waves with DC drift which produces unique sound textures while providing easy control over frequency modulation sounds. The update also added a low-pass MG filter modeled after Moog-inspired classic filters with mix buss saturation for sonic color enhancements.
To make sure that all valuable insights are communicated across teams when collaborating on music projects using Bitwig Studio v4.3 upgrades, it is suggested that users take advantage of the newly added comment feature in order to get feedback from other members quickly and efficiently. This will significantly improve overall productivity by making it easy for everyone involved to stay on task without getting sidetracked by potential misunderstandings or miscommunications along the way.
FX tracks now have sends, allowing FX tracks to be sent to any other FX track, with the option to disable FX sends.
Bitwig Studio's latest update, version 4.3, has introduced a new feature where FX tracks can be sent to any other FX track with an option to disable FX sends. This means that users can now send audio to another channel for further processing or add special effects to a mix while keeping the dry/wet balance intact. In addition, comments can now be added to any track, layer, drum chain, launcher scene, or arranger cue marker which helps streamline the workflow.
Moreover, Bitwig Studio's unique feature of bundle Polymer and Grid module updates updates bring analog-inspired features such as Union oscillator blends that offer pulse, saw and triangle waves with DC drift. The Low-pass MG filter modeled after Moog-inspired classic filter is equipped with mix buss saturation while Sallen-Key filter has 16 filter mode options including low-, high- and band-pass configurations. Furthermore, new oscillator modules now have an extended phase modulation amount range for more digital phase/frequency modulation sounds.
Story: Jake was searching for music software with advanced features and was impressed by Bitwig Studio v4.3's ability to send audio from one channel to another for further processing while keeping dry/wet balance intact. He also found it very useful that comments could be added in different sections of the software making his workflow more efficient.
Five Facts About Bitwig Studio: Redefining Music Production with Innovative Features:
- ✅ Bitwig Studio offers four new audio effects in version 4.4, including Freq Split (Spectral), Harmonic Split (Spectral), Loud Split (Spectral), and Transient Split (Spectral). (Source: Team Research)
- ✅ Bitwig Studio's Dashboard serves as the command center for the program. (Source: Team Research)
- ✅ The user guide for Bitwig Studio is applicable to all products, including Bitwig Studio 16-Track and Bitwig Studio 8-Track. (Source: Team Research)
- ✅ Bitwig Studio is a software tool for creating, composing, polishing, and performing music. (Source: Team Research)
- ✅ In addition to the user guide, Bitwig's website offers other resources for users, and a support portal is available for feedback and issue reporting. (Source: Team Research)
FAQs about Bitwig Studio: Redefining Music Production With Innovative Features​
What is Bitwig Studio?
Bitwig Studio is a software program designed for music creation, composition, polishing, and performing.
Is this user guide applicable for all Bitwig Studio programs?
Yes, most of Bitwig Studio's functions and resources are available in all of our products, so this user guide applies equally to all programs.
Where can I access the table of contents, search function, and language selector when reading this user guide as a web page?
The table of contents, search function, and language selector are available either on the right of this text or at the bottom of the page.
How is this user guide arranged?
The chapters and topics are arranged progressively, with basic concepts appearing first and advanced ideas showing up later. It is written for users of any stripe who want to use software to make music.
Where can I find other resources and the latest information about Bitwig Studio?
You can always visit Bitwig's website for the latest information and other resources will be mentioned when appropriate.
What are the new features of Bitwig Studio v4.3 and v4.4?
Bitwig Studio v4.4 includes Spectral Suite with four new audio FX and a package of sound content for all Bitwig Studio customers, as well as Freq Split, Harmonic Split, Loud Split, and Transient Split devices. Bitwig Studio v4.3 features Convolution, Delay+, bundle of Polymer and Grid module updates, and Sawtooth option for Waveform Comments.